Ansel Adams. Little, Brown and Company. The Negative.

Brad Gilmer. Focal Press. File Interchange Handbook. David Bancroft. The Digital Picture Exchange Format. 61-99.

SMPTE. Motion Imaging Journal. 114/4. April 2005. Jonathan D. Egstad. Todd M. Sarsfield. Application of a Linear-Light Color Management System to Transform Digital Imagery to Film. 139-145.

Mark D. Fairchild. Addison Wesley. Color Appearance Models.

Edward J. Giorgianni and Tomas E. Madden. Addison Wesley. Digital Color Management Encoding Solutions.

Glen Kennel. Cinesite Digital Film Center. Grayscale Transformations of Cineon Digital Film Data for Display, Conversion, and Film Recording. http://www.cinesite.co.uk/CineonTech/GrayScale/GSv2.html .

James M. Palmer. Radiometry and photometry FAQ. http://www.optics.arizona.edu/Palmer/rpfaq/rpfaq.htm .

Charles Poynton. Gamma FAQ - Frequently Asked Questions about Gamma. http://www.poynton.com/notes/colour_and_gamma/GammaFAQ.html .

Charles Poynton. Color FAQ - Frequently Asked Questions Color. http://www.poynton.com/notes/colour_and_gamma/ColorFAQ.html .

ITU. Parameter Values for The HDTV Standards for Production and International Programme Exchange. Recommendation ITU-R BT.709-4.

Kodak. KODAK Digital LAD Test Image. User's Guide and Digital Recorder Calibration and Aims.

Kodak. Laboratory Aim Density. Publication H-61.

SMPTE. Indoor Theater and Review Room Projection - Screen Luminance and Viewing Conditions. ANSI/SMPTE 196M-1995.

SMPTE. File Format for Digital Moving-Picture Exchange (DPX). ANSI/SMPTE 268M-1994.

SMPTE. Spectral Conditions Defining Printing Density in Motion-Picture Negative and Intermediate Films. RP 180-1999.